WOODGRAINING

AS A PAINTED FINISH

Basic woodgrain can be as simple as dragging a brush through a wet glaze all the way to employing detailed masking techniques to copy intricate inlay patterns (also called intarsia) and using advanced wood-graining tools.

The process is similar to dragging where an even coat of colour is applied and is left to dry then a glaze coat applied and while still wet is worked with various tools to expose the first coat either partially or completely in areas. Tools required can be a stiff brush, woodgraining rocker and woodgraining combs. Studying the grain and patterns of the wood being copied is required to achieve a realistic finish. Along with the correct technique the combination of colours is very important to achieve a realistic representation of particular wood types as well. The advanced woodgrainer will find they will require a large pallet of colours, and will find these in either the Derivan students range or for professional applications the Derivan Acrylic colours or Matisse professional acrylic flow range. To get start try the description of a basic pine wood effect which is listed below.

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MATERIALS NEEDED

•    Matisse Background Pale Beige or Derivan Students pale beige

•    Matisse flow Raw Umber or Derivan Students burnt umber

•    Matisse MM16 Faux Finish medium or Derivan Spreader medium

•    50 mm wide soft varnish brush

•    75mm - 100mm brush house painting brush, with thick, stiff bristles or a flogger, or a stiff nail brush.

* 1 litre of mixed glaze will cover 12-14sqm